A volume published by Dominique Lévy, produced in collaboration with the Fondazione Enrico Castellani, on the occasion of the exhibitions held respectively at the London gallery from 9 February to 26 March 2016 and at the gallery in New York from 7 April to 21 May.
The volume in Italian and English opens with a poem by Bruno Corà originally published in 1985 as part of a portfolio containing two paper reliefs created for the A.E.I.O.U. Editions (Rome). The poem is followed by an essay written for the occasion by Angela Vettese, by a long interview with Enrico Castellani by Hans Ulrich Obrist dating to 2009 and a text of 1994 by Mario Luzi. The main part of the volume is instead made up of the images of all of the works on exhibit, together with a selection of recent as well as formerly unpublished works, and concludes with a selected chronology compiled by Federico Sardella.
A catalogue with text in Italian and English printed after the exhibition entitled Surfaces et Correspondences with works by Enrico Castellani and Lee Ufan, held in the gallery
spaces of Lorenzelli Arte in Milan from 21 May until 30 August 2015. The volume contains a series of repertory images that accompany an essay by Federico Sardella which talks about the tie between the two artists, Enrico Castellani’s relationship with Japan and Lee Ufan’s with Italy. The catalogue also contains the reproductions of all the works exhibited, the installation of the exhibition and two texts written by the artists adapted for the occasion.
Catalogue published on the occasion of the exhibition of works on paper by Enrico Castellani housed in the gallery of Matteo Lampertico in Milan from 11 December 2015 to 26 February 2016. The volume, published in collaboration with the Fondazione Enrico Castellani, includes an essay by Irina Zucca Alessandrelli treating the works on paper created by the artist from 1959 to 2015 with particular attention being paid to the emblematic works and to those on exhibit, all of which reproduced in colour in the catalogue.
A catalogue dedicated to Enrico Castellani and published on the occasion of the double solo exhibition with Günter Uecker housed in the rooms of the Ca’ Pesaro. Galleria Internazionale d’Arte Moderna in Venice from 1 September 2012 to 13 January 2013. The volume, whose cover photograph is by Plinio De Martiis, contains an introduction by Davide Di Maggio and texts by Bruno Corà, Lóránd Hegyi and Nanni Balestrini. The publication includes numerous archive photographs together with those of the artist, the works on exhibit or else set in important international exhibitions. The volume also includes an extensive anthology of the artist’s principal writings followed by a list of his one-man and group exhibitions.
Catalogue in stitched paperback published on the occasion of the one-man exhibition held by Enrico Castellani at the Galeria Cayón in Madrid from 14 February to May 2013. The volume contains an essay by Bruno Corà in Spanish, English and Italian, photographs of the works and of the exhibition installation. The catalogue is completed by a list of the artist’s most important one-man and group exhibitions.
The Catalogue Raisonné of Enrico Castellani is to date the most important monograph dedicated to the artist’s work. Published in two volumes and edited in its entirety by Renata Wirz and Federico Sardella, it proposes to offer a new account regarding the first fifty years of the work by one of the major protagonists of the world art scene during the postwar period.
A catalogue published on the occasion of the one-man exhibition held by Enrico Castellani at the new Haunch of Venison gallery in New York from 11 November 2011 to 7 January 2012. The volume published in English contains a text by Marcia E. Vetrocq followed by a series of B & W and colour photographs of the works exhibited, including Castellani’s celebrated Ambiente bianco [White Environment] created by the artist during the period 1967/1970 which was exhibited for the first time in the United States and which in the catalogue is also documented by the photographs taken in 1970 by Ugo Mulas on the occasion of the exhibition titled Vitalità del Negativo held at the Palazzo delle Esposizioni in Rome.
A catalogue published on the occasion of the one-man exhibition held by Enrico Castellani at the Parisian branch of Tornabuoni Arte from 14 October to 15 December 2011. The edition in French and Italian contains a text by Bernard Blistène, a series of archive photos and the colour photographs of all the works on exhibit, biographical information compiled by Federico Sardella, a list of the most important one-man and group exhibitions and a referential bibliography.
Catalogue with text in Korean and English published on the occasion of the exhibition held at the Gallery Seomi in Seoul from 5 to 31 October 2010. The publication comprises a long interview by Hans Ulrich Obrist with Enrico Castellani and the images of the five works on exhibit, all of the same size but in different colours, created by the artist for this exhibition.
A catalogue published on the occasion of the one-man exhibition held by Enrico Castellani in the large gallery rooms of the Haunch of Venison in New York from 8 May to 27 June 2009. The volume – in English – contains an in-depth essay by Adachiara Zevi accompanied by historical-artistic archive photographs, the colour reproductions of all the works on exhibit (including the first relief surface created by the artist together with some important pieces on loan for this exhibition from the Prada Collection, the Fendi Collection and the Maramotti Collection). The publication closes with a biography compiled by Federico Sardella for this exhibition and with a list of Castellani’s most important one-man exhibitions.