A catalogue published on the occasion of Enrico Castellani’s one-man exhibition held at the Artvalente gallery in Finale Ligure during the months of June/July 1989. The volume in Italian and English, part of the series conceived by Mario Valente and dedicated to art and culture, contains a critical essay by Elena Pontiggia, colour photographs of the works on canvas and paper exhibited in the exhibition, a list of the artist’s principal one-man exhibitions and an essential bibliography.
A catalogue published on the occasion of Enrico Castellani’s one-man exhibition held in Verona between March and April 1989. The publication contains a critical text by Luigi Meneghelli, in Italian and English, and a photographic documentation of the works on canvas and paper presented at the exhibition, in addition to a general bibliography and a list of the artist’s principal one-man exhibitions.
A catalogue forming part of the series titled Attraverso le Avanguardie published on the occasion of Enrico Castellani’s one-man exhibition held in Parma from 3 December 1988 to 30 January 1989. The publication contains a critical text by Luciano Caramel in Italian, German and English, photographic documentation of the works on canvas and paper exhibited in the exhibition, a list of the artist’s principal one-man exhibitions and a general bibliography.
A catalogue published on the occasion of Enrico Castellani’s one-man exhibition organised by Nello and Lydie Di Meo in the Galerie Di Meo in Paris from 19 February to 26 March 1988. The volume contains a critical text by Adachiara Zevi (in French, Italian, English and German), colour photographs of the ten works on exhibit, a brief biography, a list of the artist’s one-man and group exhibitions and a referential bibliography.
Catalogue published by Maurizio Corraini on the occasion of Enrico Castellani’s one-man exhibition held at the Galleria Corraini in Mantua in September 1988. The volume, edited by Alvaro Beccattini and forming part of the series curated by Marzia Corraini, contains a critical text by Adachiara Zevi
and B & W photographs of the 12 paper works exhibited.
A catalogue with a relief cover published on the occasion of Enrico Castellani’s one-man exhibition at the Kodama Gallery in Osaka from 1 to 30 June 1988. The publication in Japanese and Italian contains a critical essay by Pier Giovanni Castagnoli, a series of B & W photographs of the exhibited works (canvases, paper works and multiples), the reproduction of an excerpt from the text by Gillo Dorfles titled Ultime tendenze nell’arte di oggi (translated into Japanese), a list of the artist’s one-man and group exhibitions and a referential bibliography.
A catalogue published in English on the occasion of Enrico Castellani’s one-man exhibitions held respectively at the Albert Totah Gallery in New York and at the Edward Totah Gallery in London in the period bridging May and December 1987. With a graphic project by Getulio Alviani, the catalogue contains a critical text by Adachiara Zevi, a list of the artist’s one-man and group exhibitions, a general bibliography and a series of colour and B & W photographs by Giorgio Colombo and Gianni Mari.
A catalogue published by Lorenzelli Arte for Enrico Castellani’s one-man exhibition in Milan from 7 March 1986. In Italian and English, the catalogue contains a critical essay by Adachiara Zevi, B & W photographs of all the works exhibited, a list of the artist’s one-man and group exhibitions, an extensive bibliography and a list of the works on exhibit.
A catalogue published by the Galleria Plurima on the occasion of Enrico Castellani’s one-man exhibition in Udine in November 1985. The publication contains a critical text by Tito Maniacco, which draws inspiration from Herman Melville, Ludwig Wittgenstein and Wolfgang Amadeus Mozart and quotes them in order to describe Castellani’s work. The catalogue includes photographs by Riccardo Toffoletti, a brief biographical note and a list of the artist’s principal one-man and group exhibitions.
Forming part of the series edited by Giulio Guberti titled Artisti Contemporanei, the volume was published on the occasion of Enrico Castellani’s anthological exhibition housed in the rooms of the Pinacoteca Comunale, Loggetta Lombardesca, in Ravenna from 9 June to 16 September 1984. With its particularly well-conceived graphic project and its wealth of content, treating the evolution of the artist’s work from its beginnings up until 1984, this publication contains copious colour and B & W photographic documentation – mainly published for the first time – that deals with the artist’s work and his life. The large volume is subdivided into three parts: in the first Adachiara Zevi presents the artist’s work in an in-depth critical essay organised in five ‘moments’ in which she covers Castellani’s entire artistic career. The second part that talks about materials is made up of Two Questions to Enrico Castellani that deal with the artist’s opinions about art, social commitment and the value of history. This is followed by numerous pages that offer the reader with the artist’s most important writings and transcripts of his interviews. The third part comprises a rich bibliographical section with excerpts from the critical essays of the main critics who have written about Castellani. There are also two previously unpublished interventions by Emilio Villa and Gillo Dorfles, an extensive general bibliography drawn up for this volume, a list of the artist’s principal one-man and group exhibitions and a list of the works on exhibit.